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 Sample Specification for Music Book
 By Robbie Rhodes
 
 
 | Bob Ebert asked about the tracker bar channel assignments for WurliTzer band organs (digest 950826). 
 I recently compiled full specifications for several book music organs which include everything that I need to
 
 (1) arrange music for the machine, and
 (2) print a template of the music (using Jody's template program)
 
 suitable for punching. This sample Specification file is quite representative of a Dutch street organ machine, since the builder, Frederic Keller, is a disciple of the German/Dutch master, Carl Frei. One of Keller's new organs, named "Puppchen", now performs outside the Children's Museum in Hamburg, Germany.
 
 A complete description of a roll-operated band organ would look something like this book-music Specification.
 
 
 file:     Keller47.txt-- Robbie Rhodes   27 August 1995revised:  94.12.13, re pneumatic reader.
 
 COMPILER:    Robbie Rhodes, December 1994
 DATA SOURCE: Product Specification, Orgelbau Keller, 1992,
 and correspondence.
 
 BUILDER:  Frederic Keller, 91462 Dachsberg-Finsterlingen, Germany
 STYLE:    Medium size concert organ with 47-keys
 POWER:    Hand-cranked or electric motor
 
 SIZE:
 Case: 175 cm high, 140 cm wide, 75 cm deep
 Additional side panels or consoles for drums.
 Total quantity of pipes: 176
 Largest pipe circa 173 cm.
 
 PLAYER SYSTEM:
 speed of medium:  5.5 cm per second
 reader:  pneumatic, rectangular hole, hole height = 1.20 mm.
 medium:  punched cardboard book, round hole diameter = 0.70 mm.
 width of medium:  32.43 cm   (51-key format)
 distance, bass edge to center of first key channel: 0.34874 cm
 channel spacing:  0.34874 cm per key (43 keys in 15 cm)
 total quantity of active channels:  47
 divisions and quantity of channels in division:
 bass section,             8 keys
 accompaniment section,   10 keys
 melody section,          20 keys
 counter-melody section,   0 keys
 percussion section,       4 keys
 controls section,         5 keys
 
 CHANNEL ASSIGNMENT  - channel (key) number, assignment
 
 channel:       1       2   3   4   5       6       7   8
 BASS:         G   .   A   B   H   C   .   D   .   E   F  .
 
 channel:       9      10  11  12  13  14  15      16  17  18
 ACCOMP        G   .   A   B   H   C  C#   D   .   E   F  F#
 
 channel:      19  20  21  22  23  24  25  26  27  28  29  30
 MELODY        G  G#   A   B   H   C  C#   D  D#   E   F  F#
 
 channel:      31  32  33  34  35  36      37      38
 MELODY        G  G#   A   B   H   C   .   D   .   E
 
 channel:   PERC. & CONTROLS:
 
 39   J   kapellmeister (no sound)
 40   K   snare drum, beater #1
 41   L   snare drum, beater #2
 42   M   bass drum
 
 43   N   Vio   Violin   = open violin double + single gedeckt
 44   P   Bor   Bourdon  = gedeckt double with one rank detuned
 45   R   Car   Carillon = open octave + single gedeckt
 46   S   ViC   Violin Celeste = open triple with one rank detuned
 47   T   Dec   Declenche (cancel) = muted + gedeckt solo
 (fundamental registration)
 
 PITCH TRANSPOSED: "Middle C" will sound as E-flat above (as in Gavioli)
 
 DESCRIPTION OF RANKS, percussion and controls/stops:
 N.B.: German nomenclature "A-B-H-C" used throughout.
 division name, quantity of keys & total quantity of pipes in division
 quantity of pipes in rank, range of rank
 rank name, range [..] ("non-transposed"), true pitch of
 longest pipe, air column length
 
 name, true sound pitch of longest pipe in the rank, air column length.
 
 BASS 8 keys [G..F]
 16 pipes--
 8 gedeckt contra         [F..E]  G#0 = 51.9 Hz   (164.2 cm - stopped)
 8 gedeckt octave         [F..E]  G#1 = 103.8 Hz  ( 82.1 cm - stopped)
 ACCOMP 10 keys [G..F#]
 40 pipes--
 10 gedeckt                [G..F#] B2 = 233 Hz     ( 36.6 cm - stopped)
 10 gedeckt, detuned       [G..F#] B2 = 233 Hz ~
 10 open cello             [G..F#] B2 = 233 Hz     ( 73.3 cm - open)
 10 open octave            [G..F#] B3 = 466 Hz     ( 36.6 cm - open)
 MELODY 20 keys [G..E]
 120 pipes--
 8 gedeckt                [G..E]  B3 = 466 Hz     ( 18.3 cm - stopped)
 8 gedeckt, detuned       [G..E]  B3 = 466 Hz
 16 open violin, double    [G..E]  B3 = 466 Hz     ( 36.6 cm - open)
 8 open violin, detuned   [G..E]  B3 = 466 Hz ~
 8 open octave (single)   [G..E]  B4 = 933 Hz     ( 18.3 cm - open)
 COUNTER-MELODY  0 keys
 
 PERCUSSION  4 keys
 kapellmeister (no sound)
 snare drum, beater #1
 snare drum, beater #2
 bass drum
 
 CONTROLS & STOPS  5 keys
 
 Control precedence:
 Memory is a slide valve with a pneumatic at each end (as in Mortier).
 Stop "on" always takes precedence over Declenche (cancel/release).
 
 Vio    Violin = open violin double + single gedeckt
 Bor    Bourdon =    gedeckt double with one rank detuned
 Car    Carillon =   open octave + single gedeckt
 ViC    Violin Celeste = open triple with one rank detuned
 Dec    Declenche (cancel/release) = muted + gedeckt solo
 (fundamental registration)
 
 TRUTH TABLE of STOPS - across: names of stops;  down: registers and ranks
 
 Vio Bor Car ViC Dec
 
 BASS voices
 gedeckt contra  . . . . x   x   x   x   x
 gedeckt octave  . . . . . . . . x . . . .
 ACCOMPANIMENT voices:
 gedeckt         . . . . x   x   x   x   x
 gedeckt, detuned  . . . . . x
 open cello                                         ??
 open octave . . . . . . . . . . x
 MELODY voices
 gedeckt         . . . . x   x   x   x   x
 gedeckt, detuned  . . . . . x . . . . . .
 open violin, double     x . . . . . x
 open violin, detuned  . . . . . . . x
 open octave (single)  . . . . . x
 
 TIME DELAYS
 Bass drum:  delay = 85 millisecond (msec) from key "on",
 duration 106 msec typ.
 Snare drum: delay = 37 msec from key "off",
 charging duration 50 msec typical.
 
 Reiteration of a [solo] snare beater is possible with
 16th-notes up to MM = 172 if the medium speed is suitably fast.
 At speed 5.5 cm per second (pneumatic reader system) then
 MM=150 is fastest possible with 16th-notes.
 
 - end -
 
 
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