Mechanical Music Digest  Archives
You Are Not Logged In Login/Get New Account
Please Log In. Accounts are free!
Logged In users are granted additional features including a more current version of the Archives and a simplified process for submitting articles.
Home Archives Calendar Gallery Store Links Info

Announcement: End-of-Year Fundraising Drive In Progress

Our End-Of-Year Fundraising drive is in progress. If you haven't contributed to the operation of the MMD in the last 12 months, this would be a great time to contribute. There's a PayPal link at the bottom of each page on the website.

If you aren't sure when you last contributed, please send me a note using the contact form at the bottom of this page and I'll look you up in my records.

Thank you for your generous support!
Jody

P.S. While your support is needed and appreciated, you do not need to contribute to be a subscriber. If you have subscribed and aren't receiving your Digest, please use the contact form at the bottom of the page and let me know. Thanks!

MMD > Archives > August 2010 > 2010.08.30 > 01Prev  Next


Rachmaninoff and the Ampico Editing Process
By Dave Krall

For the Ampico historians out there, a few questions:

1. Who was Rachmaninoff's editor?

2. Did Rachmaninoff have an Ampico piano of his own?  (I seem to
remember that he had an upright Ampico at his home on Long Island.)

3. How much was Rachmaninoff paid for his Ampico rolls and what
is the source of this information?

4. To what extent was Rachmaninoff involved in the editing of his
rolls and where was this work done?

5. What was the make and size of the Ampico recording piano?

6. What was the make and size of the Ampico playback piano at the
studio (the piano used to playback finished rolls for the artists)?

7. Was the playback piano in the same room as the recording piano?

For anyone that responds, thank you very much in advance!

Dave Krall

 [ I believe Rachmaninoff treated the production of his Ampico rolls
 [ in the same fashion as he recorded for the phonograph and as he
 [ performed in small salons -- with reduced dynamic range as necessary
 [ for the limited dynamic range of (1) the acoustic phonograph and
 [ (2) the typical salon performance.  His salon playing is accurately
 [ reproduced when his Ampico rolls are played on an Ampico A parlor
 [ grand piano, because that's the size of the piano used for editing
 [ and auditioning the rolls _to the satisfaction of the artist_.
 [
 [ Wayne Stahnke's Telarc CD, "A Window in Time", generally attempts
 [ to present the expanded dynamic range that Rachmaninoff achieved
 [ when playing a large grand piano in a concert hall.  See
 [ http://www.mmdigest.com/Archives/KWIC/R/rachmaninoff.html  -- Robbie


(Message sent Mon 30 Aug 2010, 20:47:19 GMT, from time zone GMT-0700.)

Key Words in Subject:  Ampico, Editing, Process, Rachmaninoff

Home    Archives    Calendar    Gallery    Store    Links    Info   


Enter text below to search the MMD Website with Google
Loading



CONTACT FORM: Click HERE to write to the editor, or to post a message about Mechanical Musical Instruments to the MMD

Unless otherwise noted, all opinions are those of the individual authors and may not represent those of the editors. Compilation copyright 1995-2017 by Jody Kravitz.

Please read our Republication Policy before copying information from or creating links to this web site.

Click HERE to contact the webmaster regarding problems with the website.

Please support publication of the MMD by donating online

Pay via PayPal

No PayPal account required

                                     
Translate This Page

. .