Greetings from Texas.  Please allow me to introduce myself.

My name is Bryan Cather.  I live with my parents in Arlington, Texas,
and am currently working at the local Buick dealership.  In my spare
time, I volunteer at the Fielder Museum, which emphasizes the history
of Arlington.

My fascination with Automated Music is lifelong.  When I was a very
small child, the local Shakey's Pizza had an Orchestrion that
fascinated me.  The fact that the restaurant was in a bad neighborhood,
that I didn't LIKE pizza, and that it was bad pizza anyway had
absolutely NO effect on me.  I begged to go, and spent my time in front
if the piano, plugging into it all the quarters I could find.  Then
when I was seven, we bought the neighbors old upright piano.  When I
was asked what I was going to do with it, I replied that I would "make
it into one of those pianos that play by themselves"  A year later one
of my cousins restored his Grandmother's player, and all of the sudden
he was my favorite cousin.  In the bench was the Player Piano Company
catalog, which I devoured.  By the time I was ten, I knew more about
player pianos than my cousin.  I can't tell you how many times I had
"Rebuilding the Player Piano" checked out of the library.  I confined
my enthusiasm to perusing both the PPCo & QRS catalogs, and purchasing
rolls for my cousin's piano (at one time I had purchased 1/3 of his
rolls).

Also, about this time, I became aware of AMICA, but didn't join. The
main reason was that I was only 12 or so, had no money and no automatic
musical instrument.  Whan I was 16 I started volunteering at the
Fielder Museum, whitch was given a restored player two years later.  I
immediately began buying rolls (usually new ones) to play on it.  In my
early 20s I attended the Piano Tuning & Repair School at Grayson County
College up in Denison, TX.  At this point joined AMICA, after attending
a few Texas Chapter meetings.  I had recently purchased an unrestored
English pumper, and my interests really blossomed at this time.  I
dropped out of school, and was soon holding a paying position at the
museum.  I have been reporter for the Texas Chapter about three years
now, and in January began putting out "The Old Piano Roll News", our
chapter newsletter.  Most of my work with Automated Musical instruments
is through the museum.  I have participated in two player piano and
reed organ lecture/recitals, and will have a third next spring.  I get
much enjoyment from interpreting music rolls, especially for the
multitude of children who visit the museum as part of their 3rd grade
classes.  I am troubled that there is now a whole generation that have
no concept of player pianos, much less having seen or heard one.

My English pumper is still unrestored, but I'm saving my pennies...

I often find it interesting how other people became interested in our
hobby, and I hope my introduction may spur others into a similar
discussion here.

Bryan Cather