Dear MMDians,
    Gee, I'm touched Mr. Yost. I'm glad to see that you approve of it
to that degree. The field recording I made for this CD was pretty good.
Last time I recorded down at the Malones I made a few adjustments to the
miking procedure, so with any luck, the next album should have even
purer sound. I swear though, 165s are tough to mic. I mean it's hard to
grab all of the sound just right and get it in stereo.

    Query: What does it take to make the crash cymbal on a 165 louder?
(Now's your chance to write an essay, Matt :) )

Warmest regards,
Marc Elbasani