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The Future of Mechanical Music
By Deidre Dixon

I have been following with great interest the thread concerning
the future of mechanical instruments.  I am one of the new people to
ownership of a mechanical instrument, though I had exposure to them
during my childhood.  Apart from sentimentality (they remind me of
my father), I love these instruments because they are mechanical.

When I bought my piano earlier this year, I started reading everything
I could about the mechanism: Reblitz, Saul, Manganaro, Givens, The
Inspector's Guide, and even Wm. Braid White.  The more I read, the more
fascinating it became and, although I do love music from the 1920s and
'30s, I am captivated by the mechanics of the whole thing.

While reading one of today's MMD postings I had an idea and thought
I would share it for what it is worth...  What if some among the MMD
and other enthusiast groups could develop a curriculum aimed at
teaching mechanical principals to engineering students at technical
colleges or small universities, using a reproducing piano as a teaching
tool?

The emphasis would be on the pneumatic and other mechanical principals
rather that the music.  The piano, music box or organ would simply be
a teaching tool.  After all, even the roll itself is a sort of
"traveling valve".

I say this because I work for a large corporation full of engineers
(I'm a liberal arts person myself), and during the past several months,
on our frequent and often long business trips, I have talked to my
colleagues (most of whom are engineers of some sort) about my
rebuilding project.  Their reaction has been far more striking than
with my non-engineer friends.

When I start talking about the fact that I have a special type of
player and am rebuilding it with my dad, they just nod and are polite.
But when I show them pictures of the mechanism, they start asking
questions.  So I talk about the mechanics of the thing, how it is
amazing this could have been done without a computer, how complicated
and simple it is all at the same time.  And only then do I show them
a clip of one playing on YouTube.  At that point, they are truly
fascinated.  They even initiate conversations, days or weeks later,
to inquire about the current stage of re-building.

In my experience, once engineers find something fascinating they tend
to tell their friends.

If someone could develop a course or two around the mechanism, teaching
the mechanical principals these mechanisms illustrate, and get the
course into some technical or engineering colleges, I am sure there
would be some who would develop a lasting interest in these instruments.
After all, many of the enthusiasts in the 1960s, '70s and '80s were
engineers, too.

Deidre Dixon
Greenville, South Carolina


(Message sent Sat 16 Aug 2014, 12:37:22 GMT, from time zone GMT-0400.)

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